An hour-long continuous mix of some of the best film music of 2012.
To best experience this mix, listen through it in one piece and see what you recognize. If you wish to refer to the credits to identify a piece, see the tracklist below.
samsmyth.net
cinemasound.tumblr.com
00:00 - Benh Zeitlin & Dan Romer / End of the World / BEASTS OF THE SOUTHERN WILD / 01:33 - Jonathan Snipes & William Hutson / Compulsive Cartography / ROOM 237 / 05:58 - Jeremy Schmidt / BEYOND THE BLACK RAINBOW / 09:20 - Broadcast / BERBERIAN SOUND STUDIO / 11:17 - Luis Bacalov / La Corsa / DJANGO UNCHAINED / 13:36 - Dario Marianelli / Curtain / ANNA KARENINA / 15:23 - Hans Zimmer / On Thin Ice / THE DARK KNIGHT RISES / 18:15 - Howard Shore & Metric / Rat Men / COSMOPOLIS / 22:41 - Michael Sterns / Pagan / SAMSARA / 24:55 - RZA & Howard Drossin / Jungle Village / THE MAN WITH THE IRON FISTS / 26:02 - Thomas Newman / The Chimera / SKYFALL / 27:40 - Alexandre Desplat / Ali / RUST AND BONE / 29:31 - Alexandre Desplat / Seals Take Off / ZERO DARK THIRTY / 31:59 - R.L. Burnside / Let My Baby Ride / HOLY MOTORS / 35:06 - John Williams / The People’s House / LINCOLN / 38:40 - Harry Gregson-Williams / Life / PROMETHEUS / 41:03 - David Holmes / Looking for Clues / HAYWIRE / 42:35 - Mychael Danna / Leaving India / LIFE OF PI / 43:46 - Alexandre Desplat / The Heroic Weather-Conditions of the Universe, Pt. 1: A Veiled Mist / MOONRISE KINGDOM / 46:55 - Nathan Johnson / Everything Comes Around / LOOPER / 49:27 - Jonny Greenwood / Sweetness of Freddie / THE MASTER / 52:47 - Tom Tykwer / End Title / CLOUD ATLAS
A compilation of film scores from 2012. Includes some of my favorite pieces from ‘Lincoln,’ ‘Beasts of the Southern Wild,’ ‘Zero Dark Thirty,’ and ‘The Master.’ I was especially happy to hear “Let My Baby Ride” from ‘Holy Motors.’
Perfection.








![“So, this one is a completely new story. He’s not just dark—he’s got all sorts of other things as well. That’s kind of the idea. And we weren’t making decisions about the story over the way things have been or the way things should be. It’s like we just wrote the best script we could—well, [screenwriter] John Logan certainly did—and we put it together the best way we could. So, we didn’t get overly literary about it, I promise you. We took the piss out of it and just kept it as light as possible.”
Daniel Craig talks Bond in Vanity Fair
Skyfall is here.](http://25.media.tumblr.com/tumblr_mccv7nmV7h1qagc1ao1_500.jpg)
![“So, this one is a completely new story. He’s not just dark—he’s got all sorts of other things as well. That’s kind of the idea. And we weren’t making decisions about the story over the way things have been or the way things should be. It’s like we just wrote the best script we could—well, [screenwriter] John Logan certainly did—and we put it together the best way we could. So, we didn’t get overly literary about it, I promise you. We took the piss out of it and just kept it as light as possible.”
Daniel Craig talks Bond in Vanity Fair
Skyfall is here.](http://24.media.tumblr.com/tumblr_mccv7nmV7h1qagc1ao2_500.jpg)





